To Kill A Mocking Bird : Children Are What They Learn (grade 10 Essay :: essays research papers fc

Children are often influenced by adults in their life. Children often receive advice and encouragement from their parents or adult figures. In Haper Lee's novel, To Kill A Mockingbird, Atticus Finch helps, his daughter, Scout deal with situations, causing her to become a mature, open-minded individual. Scout learns about courage when Atticus sends her and Jem to read to Mrs. Dubose everyday. Scout learns to fight with her heads instead of her fists when Atticus is defending Tom Robinson. Scout finally learns what Atticus means when he says that you can't understand a person until you walk around in their skin. Atticus' influence shows in Scout accompanying Jem to Mrs. Dubose's. First, Scout learns about courage from Atticus. One can see this when Atticus sends her and Jem to read to Mrs. Dubose as a punishment for destroying her garden. Scout at first does not realize the courage Mrs. Dubose has. She thinks that she is just an angry, bitter old woman. Through going with Jem each day to her house, Scout finally discovers how courageous Mrs. Dubose is. One can see this when Atticus says, "‘I wanted you to see something about her – I wanted you to see what real courage is instead of getting the idea that courage is a man with a gun in his hand. It's when you know you're licked before you begin but you begin anyway and see it through no matter what'" (116). This quote clearly shows that Scout learns about courage through the influence of Atticus, as well as Mrs. Dubose. It shows that Atticus does his best to steer his children in the right direction so they will mature into kind, loving people. Atticus also influences Scout when he a sks her to fight with her head. Second, Scout learns how to fight with her head. One can see this when Atticus is talking to her about the Tom Robinson trail. He tells her that several people in the town will say mean things about him, and that instead of attacking them, or fighting them, Scout should ignore them. He tells her to hold her head up high. One can see this when Scout says, "Somehow, if I fought Cecil I would let Atticus down. Atticus so rarely asked Jem and me to do something for him, I could take being called a coward for him" (81). This quote illustrates that because of Atticus, Scout chose not to fight.

A Shifting Self of a Postmodern Detective in City of Glass

The main character in City of the Glass has a split subjectivity and is presented to the readers at the first beginning as having multiple identities. â€Å"In the triad of selves that Quinn had become, Wilson served as a kind of ventriloquist. Quinn himself was the dummy, and Work was the animated voice that gave purpose to the enterprise† (Austere, 6). Quinn publishes under the pseudonym William Wilson and lives through Max Work, the novel hero he creates. William Wilson is only â€Å"an invention† that serves as the â€Å"bridge† for him to walk into Works detective voice (Austere, 4).Quinn is solely the puppeteer â€Å"dummy' – an empty husk. His thinking and Interior voice Is substituted by Max Work, who gives life to Quinn In his solitude. As Is written In the novel, â€Å"the writer and the detective are interchangeable† (Austere, 8). The â€Å"private eye† looks into objects and events in search of ideas, in order to make sense of th em, leading to an ultimate truth. For Quinn, the â€Å"private eye† holds â€Å"a triple meaning† (Austere, 8). Throughout the story, we as readers are engaged in the split of ‘l' when we look into the case with the three eyes.One is of an â€Å"Investigator†, probably Max Work who discerns details and traces of facts; two is room the lifeless â€Å"self† wealth Quinn, who keeps a distance from the outer world; and the last eye from the writer or narrator of the story that appears In the end when the case dissolves. The destabilize of subject challenges the readers, as the detective drifts from one identity to another, we also lost a stable detective eye to scrutinize the case. The imaginary figure Max Work is present in the world of others – the fictive outside world.For this reason he is more real and powerful than Quinn. â€Å"The more Quinn seemed to vanish, the more persistent Work's presence In that world became† (Austere, 9). HI S vanishing Inclination Is perhaps due to his alienation In actual world. After the death of his loved ones, he is no longer the ambitious part of him that published a number of works. He hides behind his pseudonym to be in touch with his agent, publisher and readers on the surface. Having no friends and family, he â€Å"no longer exists for anyone but himself† (Austere, 4).This isolation of himself from others accounts for his desire to replace a unified Quinn with multiple Identities, since there Is no connection with others that anchors his subjectivity. And afflicted with all the devastating experience and traumatic memory. Max Work, on the other hand, is an â€Å"aggressive† and â€Å"quick-tongued† (Austere, 9) detective figure whose consciousness Quinn relies on throughout the investigation. Though he has no knowledge of any crime, he attempts to draw relations between events Just like Max would do.Max embodies a modern detective notion of attaining truth through one's rationality and consistency, yet Quinn represents a deciphering subject without a coherent self. A classic detective novel hails the power of reason, and a traditional detective's observation to uncover mysteries is associated with seeking transcendent truth in a modernist perspective. Quinn's desire to lose himself, or to assume alternative identities are incongruous with a traditional detective, who generally has a coherent and consistent self (Sourpuss, 76). The quest for Peter Stallion Sir. s identity is also an attempt to find Quinn himself, which is revealed in his putting down his initial, Q in his red notebook that records the case. However, indulged in the case, Quinn easily shifts himself into the role of detective â€Å"Paul Austere†, an author in the novel mistaken for a detective. â€Å"To be Austere meant being a man with no interior, a man with no thoughts†, â€Å"If his own inner life had been made inaccessible, hen there was no place fo r him to retreat to† (Austere, 61). By being Paul Austere, Quinn empties his inner life and takes up the consciousness of another imaginative figure, a role shaped after detective models.Quinn becomes a mere husk and has nowhere to go back, which shadows his final destiny of disappearing from the scene. Towards the end, the death of Peter Stallion and Quinn's encounter with the real Paul Austere makes him realize his inability to uncover the truth. He is â€Å"nowhere† and â€Å"he knew nothing† (Austere, 104), which is the beginning state of being nowhere he desired. This detective story seems a circle returning to the original point, compared to a linear structure of a conventional one with a definite solution.Without solving the puzzle, Quinn loses himself eventually. Sourpuss wrote that the detective must be a consistent person that enables him to concentrate on the mystery outside of him. Therefore, a degree of ambiguity involved in the detective's very iden tity will interfere with his ability to tackle the mystery at hand (76). As this applies to Quinn, a writer-detective who gets lost in the labyrinth in search of his own identity, it explains he failure of the investigation with no solution in the end.

Customer Retention in Telecom Industry - 5857 Words

Customer Retention: With Special Reference to Telecommunication Industry in Sri Lanka K. A. Silva Lanka Com Services (Pvt) Limited, Colombo, Sri Lanka S. T. W. S. Yapa Department of Decision sciences, University of Sri Jayewardenepura, Nugegoda, Sri Lanka samanyapa@sjp.ac.lk ABSTRACT The landscape of the telecommunication industry in Sri Lanka has been changed drastically since the deregulation of telecommunication sector in early 1990s. Number of service providers has been increased from one, i.e state monopoly, to more than 70 within a short period of time. With the increased competition telecom service providers find it difficult to retain the existing customers. In that context the objective of this research explanatory†¦show more content†¦The relationship is seen as mediated by social norms and situational factors. Cognitive, affective, and conative antecedents of relative attitude are identified as contributing to loyalty, along with motivational, perceptual, and behavioural consequences ( Dick and Basu , 1994). In the customer centred business, survival remains to the degree that customer satisfaction is met. Previous research studies have shows that the repurchase intent was the main benefit of customer retention. However, some had identified multiple benefits like repurchase intent, price tolerance, willingness to recommend etc. In reaching retention, vendors should manage satisfaction and consequences of Customer Loyalty (Naranyandas, 1998). Loyalty too has a pyramid effect that suggests of having hierarchy in loyalty levels between customer and vendor. Change in loyalty level will manifest itself in the presence of specific attitude and behaviour (Aaker, 1991). Customer loyalty and satisfaction are integral part of customer retention process. 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